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I continued to develop the technique of using metal net in a fired ceramic piece. Now I wanted to obtain organic forms. I started to use different materials and higher firing temperatures. In this process I dealt with fragility and strength.
The forms and impressions of these sculptures refer to shells. I gave these sculptures names after butterflies, the most harmless creatures I can imagine. For me they represent all innocent victims found in ancient and modern ruins.
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CAMBERWELL BEAUTY, on the theme FINDINGS FROM THE RUINS, 2001, length 86 cm, diameter 36 cm, metal net, clay, engobes, glazes
FINDINGS FROM THE RUINS, detail from an interior of a sculpture
LARGE COPPER on the theme FINDINGS FROM THE RUINS, 2004
length 59 cm, diameter 19 cm, metal net, clay, engobe, glaze
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